Architecture of Analogy

Alliance & Rebellion: An exhibition curated by The Paper Gentlemen

Posted in Discourse, PhD by Cameron McEwan on January 28, 2012
From left to right: scale model by Stephen McCullough; mixed media drawing by Cameron McEwan; painting by Christy Yates.”]

The Paper Gentlemen is a collaboration between three MArch students from the Material Unit at Dundee School of Architecture. Alliance & Rebellion is the first of a series of exhibitions which, according to the Gents, “aims to reactivate a dormant space and encourage collaboration within our varied arts community.”

The exhibition is currently on show at The Faircity Auction House, First Floor Gallery, 52-54 Canal Street, Perth.
The drawing continues the After Architect Aldo Rossi series. A montage of the twelve projects that illustrate Rossi’s A Scientific Autobiography, more of which in a forthcoming Post.

 

Continuing the After Architect Aldo Rossi series.”]

 

After Architect Aldo Rossi: The Porticoes of Bologna, Rossi at Modena and Canaletto in Parma

Posted in PhD by Cameron McEwan on June 24, 2011
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Lining almost every street, from the stateliness of Via dell’Independenza to the claustrophobic alleys around the University, porticoes defined my experience of the radially planned city of Bologna. At its centre the two interconnected open spaces of Piazza del Nettuno and Piazza Maggiore are defined on one side by the Palazzo Communale, inside of which, the Museo Morandi contains a huge collection of that painter’s work. Characterised by a consistency that borders on the incessantly monotonous, a museum dedicated to Morandi might only appeal to true Morandi-ites… However, the collection offered variety by presenting a range of media (oils, watercolour, etchings and pencil drawings) at the same time as exhibiting work by Wayne Thiebaud alongside Morandi. The line drawings in particular are so spartan and ambiguous that they can be read as both streetscape and still life.

 

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If the porticoes of Bologna were vividly ornate, the opposite can be said of Rossi’s porticoes at the San Cataldo cemetery at Modena. Cold and controlled, the cemetery is a monument of silence and image of death. The typological form is characterised by porticoed paths that lead from wall and gate; through pitched roof columbaria, the “long house;” to cubed shrine to war victims, the “abandoned house.” In April 1971, Rossi was involved in a car accident and writes often about this incident, seeing the skeletal structure of the body as a series of fractures to be reassembled. At San Cataldo he identifies death and the morphology of the broken skeleton with the modification of the plan. Construction started in 1977 and halted in 1979. It remains unfinished.

 

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Vedutisti, or “view-painting” is an eighteenth-century painting genre in which the artist paints scenes from life. Inherent to this tradition is the opposition vedute estate and vedute ideate. This is the relationship between an exact view of a recognisable site; and a view of a site with the intention to create something imaginary, “ideal.” In the subdued lighting of the National Gallery in Parma, Canaletto’s La Basilica di Vicenza e il Ponte dia Rialto (photograph on the right) measures 68×92 cm and hangs beside the slightly larger (70×96 cm) Riconstruzione di Castel Sant’Angelo (left). Both paintings depict real works but in an entirely imagined composition. Canaletto has re-drawn Palladio’s monuments (the Vicenza Basilica, the Palazzo Chierecati, also in Vicenza, and Palladio’s unbuilt project for the Rialto Bridge in Venice) and montaged them into the Rialto Bridge site, offering two alternatives. To my surprise (and excitement), Canaletto’s paintings were often conceived as pairs or sets. So, Canaletto the dualist? Perhaps even a serialist…

 

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Degree Show Work in Progress

Posted in PhD by Cameron McEwan on May 29, 2011

”]Urban Types: The Tower, The Block and The Street. A view of three drawings and a detail of The Block.

5th Annual Dresden International Doctoral Colloquium

Posted in PhD by Cameron McEwan on May 29, 2011

North Lindsay Street and The Howff: Work in Progress Part V The Murk

Posted in PhD by Cameron McEwan on April 6, 2011
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McEwan, C (2011) North Lindsay Street and The Howff Sketch Studies Mixed media, chalk, charcoal, india ink and photocopy on painted lining paper

Human Figure II: Recent sketch studies of the figure

Posted in PhD by Cameron McEwan on November 25, 2010
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Studies for Dissolution of Scale

Posted in PhD by Cameron McEwan on November 1, 2010
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The Architecture of Analogy; Blackness, Dundee

Posted in MArch by Cameron McEwan on March 14, 2010

”]To see additional work from my Master’s (presentation views and a more comprehensive coverage of this project), visit my portfolio page at the link to the right or click http://fotologue.jp/cameronmcewan/ and then on the MArch folder.

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